This second Sin City slipcase completes our oversized archival editions, available only in these exceptional collections. The handsome 9"x12" slipcased edition features Frank Miller's atmospheric cover art from both the original trades as well as the original comics! Created with serious Frank Miller collectors and art connoisseurs in mind, these new archival editions are sure to satisfy!

Legendary artist Frank Miller opened a noir opus in Sin City. This critically-acclaimed triumph-honored by both an Eisner Award and the prestigious National Cartoonists' Award-combines the pulp intensity of writers like Spillane and Cain with the gritty graphic storytelling that only Miller can deliver. Sin City is the place-tough as leather and dry as tinder. Love is the fuel, and the now-infamous character Marv has the match ... not to mention a "condition." He's gunning after Goldie's killer, so it's time to watch this town burn! Frank Miller is one of modern comic's first talents to publish a comic book that he created, crafted, and owned. That book is Sin City, which grew from the wellspring of Miller's passionate desire to create a comic book with two distinct qualities - it wouldn't be a superhero comic, and it had to be a crime comic. Enter Marv and Goldie. And a psychotic killer. And a crime-drenched town. And a corrupted diocese. Sin City is a town like no other, but most places resemble it in one way or another. In real life, thugs live everywhere and women sell their bodies all the time, but if everyday life is a storm, Sin City exists in the eye of a hurricane.

It's one of those hot nights, dry and windless. The kind that makes people do sweaty, secret things. Dwight's thinking of all the ways he's screwed up and what he'd give for one clear chance to wipe the slate clean, to dig his way out of the numb gray hell that is his life. And he'd give anything. Just to cut loose. Just to feel the fire. One more time. And then Ava calls.

Criminals have always called the shots in Sin City, whether bootleggers, gamblers, or politicians. But ever since the first dame set up shop in Old Town, those side-streets have been run by the women who walk the night. It's been a delicate truce, but now there's a messy body and the mob's looking to reclaim those licentious streets. They're going to have to put down a tight band of dangerous women and a guy named Dwight to do it. Now Dwight, he knows something that the mob's gotta learn the hard way: sometimes standing up for your friends means killing a whole lot of people...

Just one hour to go. Hartigan's polishing his badge and working himself up to kissing it goodbye, it and the thirty-odd years of protecting and serving, tears, blood, and triumph that it represents. He's thinking about his wife's smile, about the thick, fat steaks she's picked up at the butcher's, about the bottle of champagne she's got packed in ice, about sleeping in 'til ten in the morning and spending sunny afternoons flat on his back. But with one hour left to go, he gets word about that one loose end he hasn't tied up: a young girl who's helpless in the hands of a drooling lunatic. Just one hour to go ... and Hartigan's gonna go out with a bang.

Marking a departure for Miller from an entire career of serialized stories, this 128-page epic spilled out of him all at once...and you can't help but read it the same way! Family Values is a milestone among Miller's work, allowing him enough room to tell this classic story of grit and revenge exactly the way he wanted to. With deadly Miho running on roller-blades, Dwight running on adrenaline, and the Sin City mob on clean-up detail, this yarn from the Town Without Pity is not to be missed.

The most diverse volume of Sin City material available, Booze, Broads, & Bullets, showcases Frank Miller's vignettes and color experiments from throughout the years of his groundbreaking crime series, and includes art created especially for the original collection. A good entry point for new readers wondering what Sin City is all about - or longtime readers who can't get enough - Miller has painted a gritty, decadent, and gloriously dirty portrait. Have a taste of the city ... just one little taste. Just one.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come--until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share.